Thursday, February 21, 2013

Interview with Flashfalcon


Just before Sonic Ruin vanished into hibernation I was sent a CD from a band named Flashfalcon. I was about to put the 'zine to bed, but I liked the CD enough that I was hopeful that doing an interview with them would be enough to spark my desire to keep Sonic going. One thing lead to another and the interview was misplaced and eventually forgotten about. 

Until tonight.

Hiding on a hard drive I have here are a few pieces of that I had started work on, and ones that were all but finished. This is the Flashfalcon interview. At the bottom of the interview I am attaching a few You Tube links to some of their stuff, one of which is a great cover of The Wildhearts "Suckerpunch." I apologize to the band for this interview not seeing light of day sooner.


Sonic Ruin interview with Flashfalcon:

Sonic Ruin: Give us a little quick background on how you formed:

Nick Valiant : FLASHFALCON was formed 5 years ago with a reunion of very good friends who love the same kinds of music, listen to the same shit, and all have differents band experiences before!
We are five over-powered guys from Lyon, France : Paco Billy (Vocals), Riff Raffson (Guitar & back vocals), Nick Valiant (Bass & Back Vocals), Gus Van Snake (Drums) and our latest addition Rick Thunder
(Guitar & Back Vocals), who just arrived after the departure of Matt Gonzalez, -creator of the band with Riff and myself-, to Montreal, Canada. 
We play some hard, loud & powerful rock with various influences like punk rock (Dead Boys, New Bomb Turks, The Wildhearts), the scandinavian high energy scene (like The Hellacopters, Gluecifer etc...), hard rock (AC/DC, Judas Priest) , metal (Metallica, Entombed) and a bit of speedrock (Zeke, Peter Pan Speedrock)... It's a mighty mixture of all of us, that we really love to throw in your face!
We just released our first album, titled "Voracious Appetite, Venomous Bite" on the label Nicotine Records. It has been recorded & mixed by Johnny Cat at Rock'On Studios (Annecy, France) who use to work with Backstreet Girls, The Boys, Honest John Plain etc; and mastered by the famous Glen Robinson at Studios DOC (NY, Montreal) who own an impressive CV (AC/DC, Nashville Pussy, Probot, Voivod, etc...).

SR: What are your individual influences? An influence that might not be instantly noticeable:

Nick Valiant : I'm really fan of the scandinavian scene with bands like Gluecifer, The Hellacopters, Wonderfools etc... I'm also the ultimate speedrock fan in the band with bands such as Zeke, Peter Pan Speedrock, Puffball, Black Radio, etc...

Paco Billy : For my part my influences are more from punk bands such as The Dead Boys, Ramones, Dictators, The Undertones, X, Social Distortion…to heavy metal like Motley Crue, Iron Maiden (Di Anno’s days), Def Leppard, Thin Lizzy, Accept, Steel Panther… til 90’s punk indie bands like Hot Water Music, Samiam, The Posies, At the Drive In, etc…

Riff Raffson : My influences result essentially from heavy metal and hard rock : Mötley Crüe, Guns and Roses, Accept, Aerosmith, Twisted Sister… And some of them are also from trash metal: Metallica, Exodus, Slayer, Anthrax…
I’m an old punk rock fan too, I love bands like The offspring, The Ramones, The Descendents, RKL, The Dead Boys … even bands like NOFX, Rancid …
Like Nick said, I also listen a lot of Scandinavian bands like Hardcore Superstar, Backyard Babies, Gluecifer… I love some English bands too, I’m totally fan of The Wildhearts, The Rolling Stones…This is not an exhaustive list, I’m sure I forgot some of my favorite bands like in every interview!

SR: Recording method and writing style? Certain songs seem to have guitar bits added in, such as song 3.

Riff Raffson : At first, we start to put Bass and Drum’s structures together, then we record guitars and solos and finally, Paco can put the shit out of him and start shouting on songs… It works for us, so we stick to this way of working. Perhaps we’ll change our ways for the next album, I don’t know… It depends of what kind of song’s style you’re dealing with. Sometimes, we add one or two layers of power chord’s guitars on the basic structure to make it sounds heavier, but I’m not sure we did that for One after the Other… I think there is more stuff added in Breakout Killer.

SR: There are some instances of very cool guitar work in the songs, are you guys holding back at all?

Riff Raffson: Sure, because we love guitars stuffs and we also like to arrange songs, but it’s really difficult to find the good measure. Sometimes, you want to put riffs and solos everywhere, you see? Haha… So we worked a lot before the recording, especially with Matt for guitars, because we wanted to know exactly what we’ll going to do in studio and have balanced songs. But it can arrive that we find good guitar’s rearrangements during studio’s sessions as well.

SR: Same question to you Paco, songs such as “Eternal Lonesome Boy” show a vocal ability in the chorus that you don’t use most of the time, will you ever unleash your full vocal range and ability?

Paco Billy : Yes that’s definitely true ! I don’t think I use my full vocal range and ability in this album because I was still looking for my own style of singing and I wanted to show how angry and hungry I was at that time ! When we wrote this album we were all in a mood of taking revenge, proving to everyone that we are a good band, full of rage. And it maybe had influenced, unconsciously, the writing and recording process. We did it 5 days in a row. And as we were in a big rush we didn’t take time for the melodious parts. The most important at that time was to get a straight heavy and punk rock record with no frills.
For the next album I think I will go for something more melodious and I’m working on it! I think it takes time to find out the vocals you’re comfortable with.

SR: On the surface, at face value, you guys come across as a Punk style outfit: loud, fast, in your face, but when listening closer, there is so much more going on. Using a band like Riverboat Gamblers as an example of a band who started one way, and kind of morphed into a different direction. What direction do you see yourself going in the future?

Nick Valiant : As I already said before, Rick just arrived after the departure of Matt, -our former guitarist, who used to write the songs with Riff-, to Canada. I really think that Rick will work very well with Riff to write dozens of terrific songs. We already had written a few new songs with Rick, and necessarily, he has his influences, his way of playing guitar, and his style of writing. He brings lots of new ideas and slicing riffs. The next songs to come are going to change a bit, but it still remains FLASHFALCON!

Paco Billy : We will still keep Flashfalcon’s background like Scandinavian, Punk rock and Heavy metal scenes but with a few changes as we’re all listening to new different stuff and the coming of Rick Thunder as our new guitar player.

Riff Raffson: I think it’s going to be heavier and more melodic at the same time. It’s a good melt isn’t it?

SR: Are there trailer parks in Europe, or are you basing your knowledge of such things on North America?

Paco Billy : I don’t have a great knowledge about how life goes in such places. In wrting Trailer Park Queen’s lyrics I wanted to let my imagination figure it out what could be a woman’s life in a mobile home. As you could noticed in TPQ it ain’t that good. It’s just the way I perceive things from where I am and I’m certainly 100% wrong. But anyway I don’t care, I just wrote it for fun. 

Wednesday, February 20, 2013

The Godfathers - “I Can't Sleep Tonight” single (plus the other singles from the past few years)


I can still remember my old friend Gordon going on and on about this up and coming band from the UK. He told me that they were starting to get a bunch of buzz in the music press, and even on MTV. “Trust me, though, they are actually good!” he said, knowing that in my mind MTV praise was a damnable thing. This was the 80s, and MTV during the day didn't know crap about good music. 120 Minutes did, though, and that was where this band began to show their face.
By now I am sure that the smart reader has been able to figure out that I am talking about The Godfathers. Hopefully the fact that this review is about their new single, and that their name is up top there, was enough to clue everybody in. I know all of you are a smart group of people.
So here we sit, a lot of years after I first heard these guys. A lot of years after I first fell in love with them. A lot of years after Birth, School, Work, Death first blew me away. A lot of years after More Songs About Love and Hate gave me mixed emotions, and a lot of years after Unreal World gave me even more mixed emotions. In the years that have passed I have gone long stretches of time not listening to the band, listening to them again and wondering why I hadn't listened to them again sooner, and then long periods of time not listening to them again. They also did a bunch of reunion shows a few years ago, I got excited about them, then I forgot about them. Hell, I even proposed an interview with them for an issue of Sonic, they agreed, then I have no idea what happened.
Now we are graced with a new single. How is it? Well, it is easy enough to click the link below and find out for oneself. The band describes the tune as their tribute to the Ramones. Eh, O.K. I am not a huge Ramones fan (no, I will not apologize), so this didn't get me too excited. The song is fairly straight forward, in the style of the Ramones. The voice is typical Peter Coyne, but it isn't clicking with me quite like the older stuff. That could quite easily change in my mind with a few listens.
A quick search shows me that I have actually missed two other new singles! Foolish me. Those two tunes are “Back Into The Future” and “The Outsider.” On those two songs Peter Coyne actually sounds like he has been influenced even further by the UK Punk scene. His voice has completely lost any charm, and is now pure Punk venom. The band is almost running closer to an Oi sound, or UK '82 sound than they are the Punk meets Pop crossover creature that they were in the 80s. This is not progression, but total regression. I am a little confused on how I feel about these songs. In some regards I like them, but in others I miss the killer melody and beauty they were able to mix with the angst. This is all angst.
This all might sound negative, but I am really not meaning it to sound so. I will no doubt buy this as soon as released. I am sure that it will take me a few times to fully fall in love with, and that is coming from the fact that I will probably be hoping for the slight commercial side that I fell in love with. Yes, I said I loved the commercial side of it all. I liked the fact that they snuck into the radio, and still spit in the face of the general public. The new material will more than likely not be able to connect with the folk who would never listen to a Punk band. Granted, this might be exactly why they have gone this route. They know that they will never break the top 10 now days, so why the hell should they try a commercialized approach to their music? May as well go for broke and put out as much of the piss and vinegar as they can. They got nothing to lose, so they may as well keep their integrity.

http://soundcloud.com/godfathers-1/08-i-cant-sleep-tonight